Rhonda Kohl (Director/Choreographer/Out-of-Control Visionary)
Rhonda (she/her/hers) is a native of North Dakota, but has spent her life in search of warmer climates and now resides in Los Angeles as a freelance director, in addition to her work in New York City. She has her MFA in Acting and Directing, is a proud member of the Stage Directors and Choreographers Society, an alumni of Directors Lab West and was a member of the SDC 2016-2017 Observership Class. She has experience with musicals, comedy, drama, original works, and contemporary pieces, as well as performance art, children’s theatre and opera. She continues to seek out opportunities to expand her knowledge and ability to handle many different genres of live theatre. As an artist, she wants to be known for her range and be able to look back at a body of work as deep as it is wide.
Currently, Rhonda is the Choreographer for PASSION at Boston Court and the Associate Director to Moritz von Stuelpnagel on FOUND. She was the movement director for the California premiere of FRANKENSTEIN at A Noise Within and is working with UK writing team Wigmore and Green on the development of the musicals THE BACHELOR GIRLS and THE VELVETEEN DAUGHTER which is to be presented at the Spring 2020 BEAM Festival in London. She also recently participated in the Rogue Artists Ensemble Lab , Mach 33 and SHE Festivals.
Her production of the West Coast Premiere of FOR THE LOVE OF (or, the roller derby play), an all female roller derby dance-ical with Theatre of Note, was just remounted at the Kirk Douglas as part of the Center Theatre Group's Block Party in 2019.
Rhonda just finished serving as the assistant director and assistant choreographer for Pasadena Playhouse's Ovation-winning production of RAGTIME directed by David Lee with choreography by Mark Esposito. Prior she was the choreographer and assistant director for the Los Angeles premiere of NATIVE GARDENS directed by Jason Alexander.
In the fall of 2016, Rhonda received the prestigious Traube Fellowship from the SDC Foundation to work with director Kathleen Marshall on the Broadway Premiere of the new musical IN TRANSIT and worked again with Mrs. Marshall and her Associate David Eggers on MAMMA MIA at the Hollywood Bowl this summer and at The Roundabout Theatre's recent benefit reading of DAMN YANKEES in NY and Reprise 2.0's Ovation-Nominated production of SWEET CHARITY starring Laura Bell Bundy.
Previously, she assisted Sean Graney on Hyprocrites and Pasadena Playhouse's run of PIRATES OF PENZANCE and Micahel Michetti on the Los Angeles premiere of KING CHARLES III with Pasadena Playhouse. Rhonda was the Assistant Director for The Geffen Playhouses production of LONG DAY'S JOURNEY INTO NIGHT, featuring Jane Kaczmarek & Alfred Molina. She also had the honor of serving as Assistant Director to Colman Domingo on the West Coast Premiere of BARBECUE at the Geffen Playhouse.
Prior, she directed the LA Times Critic's Choice - AROUND THE WORLD IN 80 DAYS with Actors Co-op and the world premiere of POCKET UNIVERSE at the Hollywood Fringe. Additionally, she produced the Ovation and LA Weekly-nominated DR. JEKYLL AND MR.HYDE and THE DIVINERS at Actors Co-op Theatre Company, and directed THE SPITFIRE GRILL at Azusa Pacific University. In 2014 she directed OVER THE RIVER AND THROUGH THE WOODS with Actors Co-op, participated in Directors Lab West in Los Angeles, as well as directing LOOK BACK IN ANGER with Los Angeles New Court Theatre, and Choreographed DR. FAUSTUS for Azusa Pacific University. She also choreographed I LOVE YOU, YOU'RE PERFECT, NOW CHANGE with Crown City Theater that ran for six months. In 2007, she was a certified SAFD actor combatant, having studied with fight director Richard Ryan (TROY).
Rhonda has worked with theatre companies in New York, Virginia, North Dakota, Minnesota, Texas, and California. She has taught and guest-directed at Azusa Pacific and Regent University. She is also the founder and artistic director of a non-profit for young artists called Hollywood Youth Theatre, as well as The Play's The Thing reading series in Hollywood.
Additional directing and choreography work includes: A TUNA CHRISTMAS, DON GIOVANNI, PIRATES OF PENZANCE, SPINNING INTO BUTTER, BAREFOOT IN THE PARK, HELLO, DOLLY!, MERRILLY WE ROLL ALONG, HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING, A MIDSUMMER NIGHT'S DREAM, THE GREAT DIVORCE, 1776, OLIVER!, THE VAGINA MONOLOGUES, CINDERELLA, YOU'RE A GOOD MAN CHARLIE BROWN, SEUSSICAL, BEAUTY AND THE BEAST, ANNIE, JOSEPH AND THE AMAZING TECHNICOLOR DREAM COAT, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM and ALICE IN WONDERLAND.